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Sake Interview #14: Moriki Shuzo: The Sake That Carries Her Name

Sake Interview #14: Moriki Shuzo: The Sake That Carries Her Name

๐Ÿ‡ฏ๐Ÿ‡ต ๆ—ฅๆœฌ่ชž็‰ˆใฏ่จ˜ไบ‹ใฎไธ‹้ƒจใซใ‚ใ‚Šใพใ™ / Japanese version available below

Most sake labels feature calligraphy, mountain scenery, or abstract brushwork. So when I first came across a bottle with a womanโ€™s manga on the front, I was a little surprised. She is Rumiko Moriki, a master brewer at Moriki Shuzo. The illustration was drawn by manga artist Oze Akira, whose work had changed the course of her life decades earlier.

Last summer, visiting Japan from the Netherlands. The brewery was quiet and small. Nothing about the exterior hints at the story inside. It had the feel of a grandparentโ€™s house โ€” familiar, unhurried.

A Brewery Committed to One Thing

Moriki Shuzo is a fifth-generation family brewery in Iga City, Mie Prefecture, located roughly midway between Osaka and Nagoya (Aichi Prefecture) on Japanโ€™s main island. This is a landlocked basin known internationally as the birthplace of ninja. Annual production in this brewery is around 300 koku (one koku equals 180 litres, so roughly 45,000 kilograms of rice). Very small, and small enough that every step of the process can be done by hand.

The brewery was founded in the 1890s by Moriki Keiichiro, who asked a local Buddhist priest to divine a water source on the site. A well was dug, and the brewery was built around it. The founding label, Tae no Hana (meaning โ€œwondrous flowerโ€), takes its name from the Lotus Sutra and is still used as sacramental sake at a local shrine today.

The current lineup has four labels: Tae no Hana, Rumiko no Sake, Hanabusa โ€” made with organic Yamadanishiki (the most prized variety of sake rice, grown predominantly in Hyogo Prefecture) โ€” and RIE STYLE, named after current toji (master brewer) Rie Toyomoto.

Every bottle is junmaishu, brewed from rice, koji, and water alone, without any added distilled alcohol. The brewery completed its transition to an all-junmai production in 1998.

The flavour direction is consistent: depth over brightness, palate over aroma, texture over fragrance. The sake opens up with food, and improves when warmed. โ€œJunmaishu is what we, as brewers, want to drink ourselvesโ€.

The choices made to achieve that sake follow from there.

All koji (the mould-cultivated rice that converts starch to sugar and drives fermentation) is made using the tray method (futakoji-ho), handling small quantities carefully rather than in bulk โ€” the quality of the koji, in their view, demands it. Rice is steamed in an old-fashioned iron cauldron over a fuel-oil burner, a method that gives precise control over steam quality and produces rice that is dry and firm on the outside, soft within.

Since 2016, Moriki Shuzo has been relying entirely on the ambient yeast living in the brewery for their kimoto and yamahai brews โ€” traditional methods of developing the fermentation base using naturally occurring lactic acid bacteria, rather than adding cultured lactic acid. This roughly doubles the time required, but produces a complexity and depth that commercial yeast cannot replicate, they say.

The Midnight Manga and the Seven-Page Letter

Step inside the brewery and manga illustrations appear everywhere. Ask about them, and you are told a story.

Rumiko Moriki was born in 1960, the eldest daughter of the brewery. After university in Osaka, she took a job at a pharmaceutical company. Then her father had a stroke. She left her job, married her fiancรฉ Hideki Moriki, and the two of them joined the brewery together in 1988.

Almost immediately, a larger crisis arrived. The breweryโ€™s main income came from supplying sake by the tank to a large producer, who would bottle and sell it under their own brand. In 1990, that buyer pulled out. The choice, as described by the brewery, was binary: close, or pivot to premium junmaishu and build a market from scratch.

It was during this period that a friend recommended a manga series called Natsuko no Sake. Written by Oze Akira and serialised from 1988, it was later adapted for national television โ€” a story that resonated across Japan. The parallels with Rumikoโ€™s own situation were apparently too many to count, and she read the entire series in a single night. By the time she finished, she sat down and wrote Oze a seven-page letter. He replied and promised to draw her label when she made the switch to junmaishu, and introduced her to a brewery that was already doing it.

In 1992, Moriki Shuzo brewed two tanks of junmaishu. Both sold out. Oze named the sake Rumiko no Sake and drew the label himself. Knowing this before you open the bottle makes the sake look a little different.

Women and the Brewery

When Rumiko joined Moriki Shuzo in 1988, there was almost no precedent for a woman on the brewing floor. The first female toji in modern Japan had taken up the role at Hakubotan Shuzo in Hiroshima in 1985 โ€” just three years earlier.

Sake was originally a womenโ€™s craft: the word toji may derive from an older term, meaning lady or mistress of the household. Shrine maidens brewed sake as an offering to the gods over two thousand years ago.

The shift happened around the 17thโ€“19th century. Sake production scaled up commercially and brewers began living together inside the brewery through the winter months.

The combination of heavy physical work and communal dormitory life became a structural barrier โ€” something Hideki Moriki spoke about directly during my visit.

After stabilising the brewery, Rumiko founded the Women in Breweries Summit โ€” an organisation for women working in sake breweries across Japan. The first gathering was held in June 2014, bringing together women from twenty-two breweries. It now meets twice a year, combining visits to each otherโ€™s workplaces with technical exchange.

As of December 2024, an Associated Press report put the number of women registered as toji with Japanโ€™s Toji Guild Association at thirty-three, out of more than a thousand active breweries. The number is slowly growing.

At Moriki Shuzo today, three women are involved in the brewing: Rumiko, toji Rie Toyomoto, and brewery worker Nozomi Moriki, Rumikoโ€™s daughter. The next generation is brewing in the space that Rumiko helped open up.

Growing the Rice

During the visit, Hideki drove me out of the brewery to their rice field โ€” the breweryโ€™s own plot, where they grow Yamadanishiki. It accounts for around five percent of the rice they use in a year. Small, but grown with a specific intention: they want the people who drink the sake to taste what rice actually tastes like.

Sake breweries growing their own rice is, historically, rare. In the premium wine world, growers cultivating their own grapes is standard practice โ€” known as the domaine model. In sake, it has long been standard practice to source rice from farmers or agricultural cooperatives โ€” rice is easy to dry and transport, so there was little pressure to keep it close.

In recent years, some breweries have begun farming their own rice, but they remain a small minority nationally.

No pesticides, no herbicides. The only fertiliser is sake lees (the pressed solids left after sake is filtered) from the previous yearโ€™s pressing, spread across the fields every November. Farming without herbicides is genuinely difficult. Unlike grapes, which grow on the same vines year after year, rice is replanted annually โ€” which means the fight against weeds starts from scratch every season. There are years when weeds win outright in parts of the field, and a section produces nothing.

But without any inputs, the rice drives its roots deep and grows on its own terms. โ€œItโ€™s not just for marketing,โ€ Rumiko has said. โ€œRice grown without pesticides is simply stronger.โ€

The Yamadanishiki from this field, together with rice grown by local contract farmers under the same approach, is the basis for Hanabusa โ€” the breweryโ€™s label that most directly expresses this philosophy of growing and brewing as a single practice.

In the Glass

Two sakes from the visit stood out.

Rumiko no Sake No.9 Yeast Super Dry Tokubetsu Junmai (tokubetsu junmai: a premium class of pure rice sake)

Rice: Hattan Nishiki 75% (a sake rice variety from Hiroshima), Yamadanishiki 25% | Seimaibuai (rice polishing ratio): 60% | Yeast: Kyokai No.9 | ABV: 15% | SMV: +15 (Sake Meter Value; positive numbers indicate dryness) | Acidity: 1.5

Super dry, with clean finish, restrained aromas and gentle umami in balanced palate. Versatile for any kinds of dishes.

Hanabusa Tokubetsu Junmai Kimoto Hiire (hiire: pasteurised)

Rice: Yamadanishiki 100% (Mie Prefecture) | Seimaibuai (rice polishing ratio): 60% | Yeast: Kuratsuki (indigenous yeast native to the brewery) | Method: Kimoto | ABV: 15% | SMV: +7.5 | Acidity: 1.6

A gentle lactic presence from the kimoto fermentation. On the nose, banana, milk, and a faint honey note. The palate is dry with good umami, full-bodied with a slight viscosity, and the finish is long and clean. Warm it slightly and it rounds out further, becoming even more at ease alongside food. The kimoto starter takes around forty days to develop; fermentation runs for a further thirty โ€” roughly double the time of conventional methods. The extra patience is audible in the glass.

An Unhurried Approach

Moriki Shuzoโ€™s sake is not flashy. There is no pronounced aroma, no obvious sweetness, no complexity that announces itself immediately. What is there is balance, and an easy relationship with food. The umami holds its own without overriding what is on the plate.

I brought bottles back to the Netherlands and tried them with sole meuniรจre and pasta as well as Japanese food. The harmony was there in each case. The kind of sake you want to keep in the refrigerator as a matter of course.

Getting here took a long time. This is a small brewery, working with labour-intensive methods, taking more time than the alternatives. The sake is not made for competition awards โ€” it is made for the table. Knowing the background makes it taste a little different.


My thanks to Rumiko, Hideki, and Rie at Moriki Shuzo for welcoming me to the brewery, and to Dick at Yoigokochi, the Dutch importer, for making the visit possible.

Moriki Shuzo

Senzai 41-2, Iga City, Mie Prefecture 518-0002

Official website: https://morikishuzo.co.jp/en/index.html

Visited: August 2024. References: SAKETIMES (2021); Associated Press (December 2024).

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้…’่”ตใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผ#14 : ๆฃฎๅ–œ้…’้€ ๅ ด๏ผšๅๅ‰ใ‚’่ƒŒ่ฒ ใ†้…’

ๆทฑๅคœใฎใƒžใƒณใ‚ฌใ€7ๆžšใฎๆ‰‹็ด™ใ€ใใ—ใฆไธ€ๆœฌใฎใƒฉใƒ™ใƒซใŒ็”Ÿใพใ‚Œใ‚‹ใพใง

ๆ—ฅๆœฌ้…’ใฎใƒฉใƒ™ใƒซใฏใ€็ญ†ๆ–‡ๅญ—ใ‚„ๅฑฑๆฐด็”ปใŒๅคšใ„ใ€‚ใใ“ใซไธ€ไบบใฎๅฅณๆ€งใฎ้ก”ใŒๆใ‹ใ‚ŒใŸ็“ถใ‚’ๅˆใ‚ใฆ่ฆ‹ใŸใจใใ€ๅฐ‘ใ—้ฉšใ„ใŸใ€‚็ฅžๆง˜ใงใ‚‚ๆญดๅฒไธŠใฎไบบ็‰ฉใงใ‚‚ใชใ„ใ€‚ไธ‰้‡็œŒไผŠ่ณ€ๅธ‚ใฎ้…’่”ตใ€ๆฃฎๅ–œ้…’้€ ๅ ดใฎๆœๆฐใƒปๆฃฎๅ–œใ‚‹ใฟๅญใ•ใ‚“ใ ใ€‚ใƒฉใƒ™ใƒซใ‚’ๆ‰‹ใŒใ‘ใŸใฎใฏๆผซ็”ปๅฎถใƒปๅฐพ็€ฌใ‚ใใ‚‰ๆฐใ€‚ๅฝผใฎไฝœๅ“ใŒใ€ไฝ•ๅๅนดใ‚‚ๅ‰ใซใ‚‹ใฟๅญใ•ใ‚“ใฎไบบ็”Ÿใ‚’ๅค‰ใˆใŸใ€‚

ๆ˜จๅคใ€ใ‚ชใƒฉใƒณใƒ€ใ‹ใ‚‰ไธ€ๆ™‚ๅธฐๅ›ฝใ—ใŸๆŠ˜ใซใ€ไผŠ่ณ€ๅธ‚ใ‚’่จชใ‚ŒใŸใ€‚่”ตใฏ้™ใ‹ใงๅฐใถใ‚Šใ ใฃใŸใ€‚ๅค–่ฆณใซใฏใ€ไธญใซๅฎฟใ‚‹็‰ฉ่ชžใ‚’ไบˆๆ„Ÿใ•ใ›ใ‚‹ใ‚‚ใฎใฏใชใ„ใ€‚็ฅ–็ˆถๆฏใฎๅฎถใ‚’ใŠใจใฅใ‚ŒใŸๆ™‚ใฎใ‚ˆใ†ใชใ€ใฉใ“ใ‹ๆ‡ใ‹ใ—ใ„ไฝ‡ใพใ„ใ ใ€‚่ฉฑใ‚’่žใ„ใฆใ„ใใ†ใกใซใ€ใใฎ้™ใ‘ใ•ใฎๅฅฅใซใ€ใ‹ใชใ‚Š้•ทใ„ๆ™‚้–“ใŒ็ฉใฟ้‡ใชใฃใฆใ„ใ‚‹ใ“ใจใŒใ‚ใ‹ใฃใฆใใŸใ€‚

็ด”็ฑณ้…’ใ ใ‘ใ‚’้€ ใ‚‹่”ต

ๆฃฎๅ–œ้…’้€ ๅ ดใฏไธ‰้‡็œŒไผŠ่ณ€ๅธ‚ใซ่”ตใ‚’ๆง‹ใˆใ‚‹ใ€ไบ”ไปฃ็ถšใๅฎถๆ—็ตŒๅ–ถใฎ้…’่”ตใ ใ€‚ๅฟ่€…ใฎ้‡Œใจใ—ใฆ็Ÿฅใ‚‰ใ‚Œใ‚‹ใ“ใฎๅœŸๅœฐใฎๅ†…้™ธ็›†ๅœฐใซไฝ็ฝฎใ—ใ€ๅนด้–“็”Ÿ็”ฃ้‡ใฏ็ด„300็Ÿณ๏ผˆ็ด„45,000kg๏ผ‰ใ€‚ๅคงๆ‰‹ใŒๆ•ฐๅไธ‡็Ÿณใ‚’่ช‡ใ‚‹ไธ–็•Œใงใฏใ€ใ“ใ‚Œใฏๅพนๅบ•ใ—ใฆๅฐใ•ใช่ฆๆจกใ ใ€‚ใ ใ‹ใ‚‰ใ“ใใ€ๅทฅ็จ‹ใฎใ™ในใฆใ‚’ๆ‰‹ใงๅฎŒ็ตใงใใ‚‹ใ€‚

่”ตใฎๅ‰ตๆฅญใฏ1890ๅนดไปฃใ€ๅˆไปฃใƒปๆฃฎๅ–œๅ•“ไธ€้ƒŽใฎๆ™‚ไปฃใซ้กใ‚‹ใ€‚ๅœฐๅ…ƒใฎไฝ่ทใซๆฐด่„ˆใ‚’ๅ ใฃใฆใ‚‚ใ‚‰ใ„ใ€ใใฎๅ ดๆ‰€ใซไบ•ๆˆธใ‚’ๆŽ˜ใฃใฆ่”ตใ‚’้–‹ใ„ใŸใ€‚ๅ‰ตๆฅญๅฝ“ๆ™‚ใ‹ใ‚‰ใฎ้Š˜ๆŸ„ใ€Œๅฆ™ใฎ่ฏใ€ใฏใ€ๅฆ™ๆณ•่“ฎ่ฏ็ตŒใ‹ใ‚‰ใจใ‚‰ใ‚ŒใŸๅๅ‰ใงใ€ไปŠใ‚‚ๅœฐๅ…ƒใฎ็ฅž็คพใฎๅพก็ฅž้…’ใจใ—ใฆไฝฟใ‚ใ‚Œใฆใ„ใ‚‹ใ€‚

็พๅœจใฎไธปใช้Š˜ๆŸ„ใฏ4ใคใ€‚ใ€Œๅฆ™ใฎ่ฏใ€ใ€Œใ‚‹ใฟๅญใฎ้…’ใ€ใ€ๆœ‰ๆฉŸๅฑฑ็”ฐ้Œฆใ‚’ไฝฟใฃใŸใ€Œ่‹ฑ๏ผˆใฏใชใถใ•๏ผ‰ใ€ใ€ใใ—ใฆใ‚‚ใ†ไธ€ไบบใฎๆœๆฐใƒป่ฑŠๆœฌ็†ๆตใฎๅใ‚’ๅ† ใ—ใŸใ€ŒRIE STYLEใ€ใ€‚ๅ…จๅ“ใ€็ฑณใจ้บนใจๆฐดใ ใ‘ใง้€ ใ‚‹็ด”็ฑณ้…’ใ ใ€‚1998ๅนดใซๅ…จ้‡็ด”็ฑณ่”ตใธ็งป่กŒใ—ใŸใ€‚

็›ฎๆŒ‡ใ™้…’่ณชใฏใ€้ฆ™ใ‚Šใ‚ˆใ‚Šๅ‘ณใ‚ใ„ใ€ๆ˜Žใ‚‹ใ•ใ‚ˆใ‚Šๆทฑใฟใ€‚้ฃŸไบ‹ใจๅˆใ‚ใ›ใŸใจใใ€็‡—ใซใ—ใŸใจใใ€ใ˜ใ‚ใ‚Šใจๅญ˜ๅœจๆ„ŸใŒๅข—ใ™้…’ใ ใ€‚ใ€Œ็งใŸใกใŒๆœฌๅฝ“ใซ้ฃฒใฟใŸใ„ใจๆ€ใ†้…’ใŒ็ด”็ฑณ้…’ใ ใฃใŸใ€ใจใ„ใ†่จ€่‘‰ใŒใ€ใใฎใพใพ่”ตใฎ่ผช้ƒญใซใชใฃใฆใ„ใ‚‹ใ€‚ใใฎ้…’ใ‚’้€ ใ‚‹ใŸใ‚ใฎ้ธๆŠžใŒใ€ใ„ใใคใ‹ใ‚ใ‚‹ใ€‚

้บนใฏใ™ในใฆ้บนไฝœใ‚Šใ‚’ๅฐ‘้‡ใšใค็ฎก็†ใ™ใ‚‹่“‹้บนๆณ•ใ ใ€‚ๅฐ่ฆๆจกใ ใ‹ใ‚‰ใ“ใใ€ๅคง้‡ๅ‡ฆ็†ใซๅ‘ใๆ–นๆณ•ใ‚’้ธใฐใšใ€ๆ‰‹ใ‚’ใ‹ใ‘ใฆใ“ใใ€ๆฑ‚ใ‚ใ‚‹ๅ“่ณชใฎ้บนใซใชใ‚‹ใจ่€ƒใˆใฆใ„ใ‚‹ใ€‚็ฑณใฎ่’ธใ—ไธŠใ’ใ‚‚ๆ˜”ใชใŒใ‚‰ใฎ้‡œใจ็‡ƒๆ–™ๆฒนใƒใƒผใƒŠใƒผใ ใ€‚่’ธๆฐ—ใฎ่ณชใ‚’็ดฐใ‹ใๅˆถๅพกใงใใ‚‹ใ“ใฎๆ–นๆณ•ใงใ€ๅค–ใฏไนพใ„ใฆ็กฌใใ€ๅ†…ใฏๆŸ”ใ‚‰ใ‹ใ„่’ธใ—็ฑณใซไป•ไธŠใ’ใ‚‹ใ€‚

็™บ้…ตใซใŠใ„ใฆใ‚‚ใ€ๆ€ฅใŒใชใ„้ธๆŠžใ‚’ใ—ใฆใ„ใ‚‹ใ€‚2016ๅนดใ‹ใ‚‰ใ€็”Ÿ้…›ใจๅฑฑๅปƒใฎไป•่พผใฟใฏ้…ตๆฏ็„กๆทปๅŠ ใจใ—ใŸใ€‚ๅŸน้คŠ้…ตๆฏใ‚’ๆทปๅŠ ใ›ใšใ€่”ตใซๆฃฒใ‚€้…ตๆฏใจ่‡ช็„ถใฎไนณ้…ธ่Œใ ใ‘ใซๅง”ใญใ‚‹ใ€‚้€šๅธธใฎๅ€่ฟ‘ใ„ๆ™‚้–“ใŒใ‹ใ‹ใ‚‹ใŒใ€ใใ‚Œใซใ‚ˆใฃใฆ็”Ÿใพใ‚Œใ‚‹่ค‡้›‘ใ•ใจๆทฑใฟใฏใ€ๆทปๅŠ ้…ตๆฏใงใฏๅ‡บใ›ใชใ„ใ‚‚ใฎใ ใจใ„ใ†ใ€‚

ๆทฑๅคœใฎใƒžใƒณใ‚ฌใจใ€7ๆžšใฎๆ‰‹็ด™

่”ตใ‚’่จชใ‚Œใ‚‹ใจใ€ใ‚ใกใ“ใกใซๆผซ็”ปใฎใ‚คใƒฉใ‚นใƒˆใŒ็›ฎใซๅ…ฅใ‚‹ใ€‚ใƒฉใƒ™ใƒซใ ใ‘ใงใชใใ€ๅŒใ˜ใ‚นใ‚ฟใ‚คใƒซใฎๆผซ็”ปใ‚‚ใ‚ใ‚‹ใ€‚่จŠใ‘ใฐใ€ใ“ใ‚“ใช่ฉฑใŒใ‚ใ‚‹ใใ†ใ ใ€‚

ใ‚‹ใฟๅญใ•ใ‚“ใฏ1960ๅนดใ€ใ“ใฎ่”ตใฎ้•ทๅฅณใจใ—ใฆ็”Ÿใพใ‚ŒใŸใ€‚ๅคง้˜ชใฎๅคงๅญฆใ‚’ๅ’ๆฅญๅพŒใ€่ฃฝ่–ฌไผš็คพใซๅฐฑ่ทใ—ใŸใŒใ€็ˆถ่ฆชใŒ่„ณๆข—ๅกžใงๅ€’ใ‚ŒใŸใ“ใจใ‚’ใใฃใ‹ใ‘ใซใ€ๅฉš็ด„่€…ใฎ่‹ฑๆจนใ•ใ‚“ใจๅ…ฅ็ฑใ—ใฆใ€1988ๅนดใซไบŒไบบใง่”ตใซๅ…ฅใฃใŸใใ†ใ ใ€‚

ใ—ใ‹ใ—ใใฎ็›ดๅพŒใ€ๅคงใใชๅฑๆฉŸใŒ่จชใ‚ŒใŸใ€‚ๅฝ“ๆ™‚ใฎๅŽๅ…ฅใฎๆŸฑใฏใ€้€ ใฃใŸ้…’ใ‚’ใ‚ฟใƒณใ‚ฏใ”ใจๅคงๆ‰‹ใซ็ดใ‚ใ‚‹ๆกถๅฃฒใ‚Šใ ใฃใŸใŒใ€1990ๅนดใ€ใใฎๅคงๆ‰‹ใŒ่ฒทใ„ไป˜ใ‘ใ‚’ๆ‰“ใกๅˆ‡ใ‚‹ใ€‚้ธๆŠž่‚ขใฏไบŒใคใ ใฃใŸใ€‚ๅปƒๆฅญใ‹ใ€ๅ“่ณชใจๅ€‹ๆ€งใงๅ‹่ฒ ใ™ใ‚‹็ด”็ฑณๅฐ‚ๆฅญๅŒ–ใ‹ใ€‚

ใใฎ่‹ฆๅขƒใฎไธญใงใ€็Ÿฅไบบใซๅ‹งใ‚ใ‚‰ใ‚ŒใŸใฎใŒๆผซ็”ปใ€Œๅคๅญใฎ้…’ใ€ใ ใฃใŸใ€‚ๅฐพ็€ฌใ‚ใใ‚‰ๆฐๅŽŸไฝœใงใ€1988ๅนดใ‹ใ‚‰้€ฃ่ผ‰ใ•ใ‚Œใ€ๅพŒใซใƒ†ใƒฌใƒ“ใƒ‰ใƒฉใƒžๅŒ–ใ‚‚ใ•ใ‚ŒใŸๅ›ฝๆฐ‘็š„ใชไฝœๅ“ใ ใ€‚ใ‚‹ใฟๅญใ•ใ‚“ใฎๅขƒ้‡ใจ้‡ใชใ‚‹้ƒจๅˆ†ใŒใ‚ใพใ‚Šใซใ‚‚ๅคšใ‹ใฃใŸใŸใ‚ใ€ๅคœ้€šใ—ๆœ€ๅพŒใพใง่ชญใฟ้€šใ—ใŸใจใ„ใ†ใ€‚่ชญใฟ็ต‚ใ‚ใฃใŸใใฎๆ™ฉใ€ๅฐพ็€ฌๅ…ˆ็”Ÿใซไพฟ็ฎ‹7ๆžšใฎๆ‰‹็ด™ใ‚’ๆ›ธใ„ใŸใ€‚ไธ€้€ฑ้–“ๅพŒใซ่ฟ”ไบ‹ใŒๅฑŠใใ€ใ€Œ็ด”็ฑณใซๅˆ‡ใ‚Šๆ›ใˆใŸใ‚‰ใƒฉใƒ™ใƒซใ‚’ๆใใ€ใจใ„ใ†็ด„ๆŸใ‚’ๅ–ใ‚Šไป˜ใ‘ใ€็ด”็ฑณ้…’้€ ใ‚Šใงๅ…ˆใ‚’่กŒใ่”ตใ‚’็ดนไป‹ใ—ใฆใ‚‚ใ‚‰ใฃใŸใจใ„ใ†ใ€‚

1992ๅนดใ€ๆฃฎๅ–œ้…’้€ ๅ ดใฏ็ด”็ฑณ้…’ใฎ้†ธ้€ ใ‚’2ใ‚ฟใƒณใ‚ฏใงๅง‹ใ‚ใ€ใใฎ้…’ใฏๅฎŒๅฃฒใ—ใŸใ€‚ๅฐพ็€ฌๅ…ˆ็”ŸใŒใ€Œใ‚‹ใฟๅญใฎ้…’ใ€ใจๅไป˜ใ‘ใ€ใƒฉใƒ™ใƒซใ‚‚ๆใ„ใฆใใ‚ŒใŸใจใ„ใ†ใ€‚ใ“ใ‚“ใช่ฉฑใ‚’็Ÿฅใฃใฆใ‹ใ‚‰ใƒœใƒˆใƒซใ‚’้–‹ใ‘ใ‚‹ใจใ€ใใฎ้…’ใŒใพใŸๅฐ‘ใ—้•ใฃใฆ่ฆ‹ใˆใ‚‹ๆฐ—ใŒใ—ใŸใ€‚

ๅฅณๆ€งใจ่”ตใ€ใใฎ้•ทใ„ๆญดๅฒ

ใ‚‹ใฟๅญใ•ใ‚“ใŒ่”ตใซๅ…ฅใฃใŸ1988ๅนดใ€ๅฅณๆ€งใŒ้†ธ้€ ใฎ็พๅ ดใซ็ซ‹ใคใ“ใจใฏใ€ๆฅญ็•Œใงใปใผๅ‰ไพ‹ใŒใชใ‹ใฃใŸใ€‚่ฟ‘ไปฃใฎ้…’้€ ใ‚ŠใซใŠใ‘ใ‚‹ๆœ€ๅˆใฎๅฅณๆ€งๆœๆฐใŒๅบƒๅณถใƒป็™ฝ็‰กไธน้…’้€ ใซ่ช•็”Ÿใ—ใŸใฎใฏ1985ๅนดใฎใ“ใจใงใ€ใ‚‹ใฟๅญใ•ใ‚“ใŒๅ…ฅ่”ตใ—ใŸใฎใฏใใฎ3ๅนดๅพŒใ ใ€‚

ใ—ใ‹ใ—ใ‚‚ใจใ‚‚ใจใ€้…’้€ ใ‚Šใฏๅฅณๆ€งใฎไป•ไบ‹ใ ใฃใŸใ€‚ใ€Œๆœๆฐใ€ใจใ„ใ†่จ€่‘‰ใฏใ€ๅค่ชžใงไธปๅฉฆใ‚„ๅฅณไธปไบบใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใ€Œๅˆ€่‡ช๏ผˆใจใ†ใ˜๏ผ‰ใ€ใซ็”ฑๆฅใ™ใ‚‹ใจใ„ใ†่ชฌใŒใ‚ใ‚‹ใ€‚ๅผฅ็”Ÿๆ™‚ไปฃใซใฏใ€็ฅžใธใฎไพ›ใˆ็‰ฉใจใ—ใฆๅทซๅฅณใŒๅฃๅ™›ใฟ้…’ใ‚’้†ธใ—ใฆใ„ใŸ่จ˜้Œฒใ‚‚ๆฎ‹ใฃใฆใ„ใ‚‹ใ€‚ๅฅณๆ€งใŒ่”ตใ‹ใ‚‰้ ใ–ใ‘ใ‚‰ใ‚Œใ‚‹ใ‚ˆใ†ใซใชใฃใŸใฎใฏใ€ๆฑŸๆˆธๆ™‚ไปฃใซ้…’้€ ใ‚ŠใŒๅคง่ฆๆจกๅŒ–ใƒปๅ•†ๆฅญๅŒ–ใ—ใฆใ‹ใ‚‰ใฎใ“ใจใ ใ€‚ๅ†ฌๅ ดใซๆœๆฐใจ่”ตไบบใŒ่”ตใซไฝใฟ่พผใ‚€ๆ…ฃ็ฟ’ใŒ็”Ÿใพใ‚Œใ€้‡ๅŠดๅƒใจๅ…ฑๅŒ็”ŸๆดปใŒใ€ๅฅณๆ€งใฎๅ‚ๅ…ฅใ‚’้˜ปใ‚€ๆง‹้€ ็š„ใชใƒใƒผใƒ‰ใƒซใซใชใฃใฆใ„ใฃใŸใ€‚่‹ฑๆจนใ•ใ‚“ใฏ่จชๅ•ๆ™‚ใ€ใใฎใ“ใจใ‚’็އ็›ดใซ่ฉฑใ—ใฆใใ‚ŒใŸใ€‚

่”ตๅฅณๆ€งใ‚ตใƒŸใƒƒใƒˆใ‚’็ซ‹ใกไธŠใ’ใŸใฎใฏใ€ใ‚‹ใฟๅญใ•ใ‚“ใ ใ€‚่”ตใฎๅฑๆฉŸใ‚’ไน—ใ‚Š่ถŠใˆใŸใ‚ใจใ€ๅŒใ˜็ซ‹ๅ ดใฎๅฅณๆ€งใŸใกใ‚’ๆ”ฏๆดใ™ใ‚‹ๆดปๅ‹•ใ‚’ๅง‹ใ‚ใ‚‹ใ€‚2014ๅนด6ๆœˆใ€ๆฑไบฌใƒปๆคฟๅฑฑ่˜ใซๅ…จๅ›ฝ22่”ตใฎๅฅณๆ€ง่”ตไบบใŒ้›†ใพใ‚‹ๅ ดใ‚’่จญใ‘ใ€็พๅœจใฏๅนด2ๅ›žใฎ้–‹ๅ‚ฌใงใ€่”ตใฎ็›ธไบ’่ฆ‹ๅญฆใ‚„ๆŠ€่ก“ไบคๆตใฎๅ ดใจใ—ใฆๆฉŸ่ƒฝใ—ใฆใ„ใ‚‹ใ€‚ใ€ŒๅŒใ˜้‡่ทใ‚’ๆŒใคไบบใจ่ฉฑใ›ใ‚‹ใจใ€ๅฐ‘ใ—ๆฅฝใซใชใ‚‹ใ€ใจใ€ใ‚‹ใฟๅญใ•ใ‚“ใฏ่จ€ใ†ใ€‚

2024ๅนด12ๆœˆใฎAP้€šไฟกใฎๅ ฑ้“ใซใ‚ˆใ‚Œใฐใ€ๅ…จๅ›ฝใฎๆœๆฐ็ต„ๅˆใซ็™ป้Œฒใ™ใ‚‹ๅฅณๆ€งๆœๆฐใฏ33ๅ๏ผˆ็จผๅƒ่”ตใฏ1,000ไปฅไธŠ๏ผ‰ใ€‚ๆ•ฐใฏๅฐ‘ใ—ใšใคๅข—ใˆใฆใ„ใ‚‹ใ€‚

็พๅœจใฎๆฃฎๅ–œ้…’้€ ๅ ดใงใฏใ€ใ‚‹ใฟๅญใ•ใ‚“ใ€ๆœๆฐใฎ่ฑŠๆœฌ็†ๆตใ•ใ‚“ใ€ใใ—ใฆ่”ตไบบใฎๆœ›ใ•ใ‚“๏ผˆใ‚‹ใฟๅญใ•ใ‚“ใฎๅจ˜๏ผ‰ใจใ€3ไบบใฎๅฅณๆ€งใŒ้…’้€ ใ‚Šใซๆบใ‚ใฃใฆใ„ใ‚‹ใ€‚ใ‚‹ใฟๅญใ•ใ‚“ใŒๅˆ‡ใ‚Š้–‹ใ„ใŸๅ ดๆ‰€ใงใ€ๆฌกใฎไธ–ไปฃใŒ้†ธใ—ใฆใ„ใ‚‹ใ€‚

็ฑณใ‚’ใ€่”ตใ‹ใ‚‰่‚ฒใฆใ‚‹

่จชๅ•ใฎ้€”ไธญใ€่‹ฑๆจนใ•ใ‚“ใฎ้‹่ปขใง่”ตใ‚’ๅ‡บใŸใ€‚่ปŠใง5ๅˆ†ใ‚‚ใ‹ใ‹ใ‚‰ใชใ„ๅ ดๆ‰€ใซใ€็”ฐใ‚“ใผใŒใ‚ใ‚‹ใ€‚ๅฑฑ็”ฐ้Œฆใ‚’่‚ฒใฆใฆใ„ใ‚‹่‡ช็คพ็”ฐใ ใ€‚ใ“ใฎ่‡ช็คพ็”ฐใฎ็ฑณใฏใ€ไฝฟ็”จๅŽŸๆ–™็ฑณๅ…จไฝ“ใฎ็ด„5ใƒ‘ใƒผใ‚ปใƒณใƒˆใซใ‚ใŸใ‚‹ใ€‚ๅฐ‘ใชใ„ใŒใ€ใ€Œ็ฑณๆœฌๆฅใฎๅ‘ณใ‚ใ„ใ‚’ๆ„Ÿใ˜ใฆใปใ—ใ„ใ€ใจใ„ใ†ๆ€ใ„ใง่‚ฒใฆใฆใ„ใ‚‹ใใ†ใ ใ€‚

้…’่”ตใŒ่‡ชใ‚‰็”ฐใ‚“ใผใ‚’ๆŒใคใ“ใจใฏใ€ๆญดๅฒ็š„ใช็ตŒ็ทฏใ‚‚ใ‚ใฃใฆ้žๅธธใซๅฐ‘ใชใ„ใ€‚ใƒ—ใƒฌใƒŸใ‚ขใƒ ใƒฏใ‚คใƒณใงใฏ้€ ใ‚Šๆ‰‹ใŒ่‡ชใ‚‰ใƒ–ใƒ‰ใ‚ฆใ‚’่‚ฒใฆใ‚‹ใ“ใจใŒๅฝ“็„ถใจใ•ใ‚Œใฆใ„ใ‚‹ใŒใ€ๆ—ฅๆœฌ้…’ใฏ้•ทใ‚‰ใ็ฑณใ‚’่พฒๅฎถใ‚„่พฒๅ”ใ‹ใ‚‰่ณผๅ…ฅใ™ใ‚‹ใฎใŒไธ€่ˆฌ็š„ใงใ€่”ตใจ็ฑณใฎ้–“ใซใฏ่ท้›ขใŒใ‚ใฃใŸใ€‚ใพใŸใ€็ฑณใŒไนพ็‡ฅใ•ใ›ใŸ็Šถๆ…‹ใง้‹ๆฌใ—ใ‚„ใ™ใ„ใ“ใจใ‚‚ไธ€ๅ› ใฎไธ€ใคใ ใ€‚่ฟ‘ๅนดใ€ใƒฏใ‚คใƒณใฎใƒ†ใƒญใƒฏใƒผใƒซใฎๆฆ‚ๅฟตใซๅฝฑ้Ÿฟใ‚’ๅ—ใ‘ใฆ่‡ชๅฎถๆ ฝๅŸนใซไน—ใ‚Šๅ‡บใ™่”ตใ‚‚ๅ‡บใฆใใฆใ„ใ‚‹ใŒใ€ใใ‚Œใงใ‚‚ๅ…จๅ›ฝใงใฏใ”ใๅฐ‘ๆ•ฐใซใจใฉใพใ‚‹ใ€‚

่พฒ่–ฌใ‚‚้™ค่‰ๅ‰คใ‚‚ไฝฟใ‚ใชใ„ใ€‚่‚ฅๆ–™ใฏใ€ๅ‰ๅนดใฎ้…’ใ‚’ๆพใฃใŸๅพŒใฎ้…’็ฒ•ใ ใ‘ใ ใ€‚ๆฏŽๅนด11ๆœˆใ€็”ฐใ‚“ใผใซ้…’็ฒ•ใ‚’ๆ’’ใใ€‚้™ค่‰ๅ‰คใชใ—ใฎ็ฑณไฝœใ‚ŠใฏไธฆๅคงๆŠตใงใฏใชใ„ใ€‚ใƒ–ใƒ‰ใ‚ฆใจ้•ใฃใฆ็จฒใฏๆฏŽๅนดๆคใˆๆ›ฟใˆใ‚‹ใŸใ‚ใ€้›‘่‰ใจใฎๆˆฆใ„ใ‚’ๆฏŽๅนดไธ€ใ‹ใ‚‰ๅง‹ใ‚ใ‚‹ใ“ใจใซใชใ‚‹ใ€‚้›‘่‰ใซ่ฒ ใ‘ใฆใ€ไธ€ๅฎš็ฏ„ๅ›ฒใซๅ…จใ่‚ฒใŸใชใ„ใ“ใจใ‚‚ใ‚ใ‚‹ใ€‚ใ—ใ‹ใ—ไฝ•ใ‚‚ไธŽใˆใ‚‰ใ‚Œใชใ„ๅˆ†ใ€็ฑณใฏๆ นใ‚’ๆทฑใๅผตใ‚Šใ€่‡ชๅŠ›ใง่‚ฒใคใจใ„ใ†ๅฎŸไฝ“้จ“ใŒใ‚ใ‚‹ใใ†ใ ใ€‚ใ€Œใƒžใƒผใ‚ฑใƒ†ใ‚ฃใƒณใ‚ฐใฎใŸใ‚ใ ใ‘ใงใฏใชใ„ใ€ใจใ€ใ‚‹ใฟๅญใ•ใ‚“ใฏ่ชžใฃใฆใ„ใ‚‹ใ€‚

ใ“ใฎ่‡ช็คพ็”ฐใฎๅฑฑ็”ฐ้Œฆใจใ€ๅœฐๅ…ƒใƒปไผŠ่ณ€ใฎๅฅ‘็ด„่พฒๅฎถใŒๅŒใ˜ๆ–น้‡ใง่‚ฒใฆใŸ็ฑณใ‚’ๅŽŸๆ–™ใซไฝฟใ†ใฎใŒใ€ใ€Œ่‹ฑ๏ผˆใฏใชใถใ•๏ผ‰ใ€ใ ใ€‚่”ตๅ…ƒใŒ็ฑณใฎๆ ฝๅŸนใ‹ใ‚‰้–ขใ‚ใ‚‹ใ€ใ“ใฎ่”ตใ‚’่ฑกๅพดใ™ใ‚‹ใ‚ทใƒชใƒผใ‚บใ ใ€‚

ใ‚ฐใƒฉใ‚นใฎไธญใธ

่จชๅ•ๆ™‚ใซ่ฉฆ้ฃฒใ—ใŸไธญใงใ€็‰นใซๅฐ่ฑกใซๆฎ‹ใ‚‹2ๆœฌใ‚’็ดนไป‹ใ™ใ‚‹ใ€‚

ใ‚‹ใฟๅญใฎ้…’ No.9้…ตๆฏ ่ถ…่พ›ๅฃ ็‰นๅˆฅ็ด”็ฑณ

ไฝฟ็”จ็ฑณ๏ผšๅ…ซๅ้Œฆ75%ใƒปๅฑฑ็”ฐ้Œฆ25%ใ€€็ฒพ็ฑณๆญฉๅˆ๏ผš60%ใ€€้…ตๆฏ๏ผšๅ”ไผš9ๅทใ€€ใ‚ขใƒซใ‚ณใƒผใƒซๅบฆๆ•ฐ๏ผš15%ใ€€ๆ—ฅๆœฌ้…’ๅบฆ๏ผš+15ใ€€้…ธๅบฆ๏ผš1.5

ใ€Œ่ถ…่พ›ๅฃใ€้ฆ™ใ‚Šใฏ็ฉ€็‰ฉใ€ๆ —ใ€ๆžœๅฎŸใฎ้ฆ™ใฏๆŽงใˆใ‚ใงๆธ…ๆฝ”ๆ„ŸใŒใ‚ใ‚‹ใ€‚ๅฃใซๅซใ‚€ใจ็ขบใ‹ใซ่พ›ๅฃใ ใŒใ€ๆ—จใฟใŒใใกใ‚“ใจใ‚ใฃใฆใ™ใ‚‹ใ™ใ‚‹ใจ็›ƒใŒ้€ฒใ‚€ใ€‚ไฝ™้Ÿปใฏ็Ÿญใ‚ใงใ‚ญใƒฌใŒ่‰ฏใใ€ๅˆใ‚ใ›ใ‚‹ๆ–™็†ใ‚’้ธใฐใชใ„ใ€‚ๆ‡ใฎๆทฑใ„้ฃŸไธญ้…’ใ ใ€‚

่‹ฑ๏ผˆใฏใชใถใ•๏ผ‰ ็‰นๅˆฅ็ด”็ฑณ ็”Ÿ้…› ็ซๅ…ฅใ‚Œ

ไฝฟ็”จ็ฑณ๏ผšๅฑฑ็”ฐ้Œฆ100%๏ผˆไธ‰้‡็œŒ็”ฃ๏ผ‰ใ€€็ฒพ็ฑณๆญฉๅˆ๏ผš60%ใ€€้…ตๆฏ๏ผš่”ตไป˜้…ตๆฏใ€€่ฃฝๆณ•๏ผš็”Ÿ้…›ใ€€ใ‚ขใƒซใ‚ณใƒผใƒซๅบฆๆ•ฐ๏ผš15%ใ€€ๆ—ฅๆœฌ้…’ๅบฆ๏ผš+7.5ใ€€้…ธๅบฆ๏ผš1.6

็”Ÿ้…›็”ฑๆฅใฎไนณ้…ธใฎๆฐ—้…ใŒ็ฉใ‚„ใ‹ใซๆผ‚ใ†ใ€‚ๅฃใซๅซใ‚€ใจใƒใƒŠใƒŠใ€ใƒŸใƒซใ‚ฏใ€ใปใฎใ‹ใชใฏใกใฟใคใ€‚่พ›ๅฃใงๆ—จใฟใŒใ‚ใ‚Šใ€ๆฟƒ้†‡ใงใ‚ใšใ‹ใซใจใ‚ใฟใŒใ‚ใ‚Šใ€ไฝ™้Ÿปใฏ้•ทใ‚ใงใ‚ฏใƒชใƒผใƒณใ€‚ๆธฉๅบฆใ‚’ไธŠใ’ใ‚‹ใจไธธใฟใŒๅข—ใ—ใ€้ฃŸไบ‹ใจใฎ็›ธๆ€งใŒใ•ใ‚‰ใซใ‚ˆใใชใ‚‹ใ€‚ใ“ใฎ้…’ใฏ็”Ÿ้…›ไฝœใ‚Šใซ40ๆ—ฅใ€ใ•ใ‚‰ใซ็™บ้…ตใซ30ๆ—ฅใจ้€šๅธธใ‚ˆใ‚Šใ‹ใชใ‚Š้•ทใ„ๆ™‚้–“ใ‚’ใ‹ใ‘ใ‚†ใฃใใ‚Š็™บ้…ตใ•ใ›ใฆใ„ใ‚‹ใ€‚

้ธใฐใ‚ŒใŸใ€ไธไพฟใช้“

ๆฃฎๅ–œ้…’้€ ๅ ดใฎ้…’ใฏใ€ๆฑบใ—ใฆๆดพๆ‰‹ใงใฏใชใ„ใ€‚่ฏใ‚„ใ‹ใช้ฆ™ใ‚Šใ‚„ใ€ใ‚ใ‹ใ‚Šใ‚„ใ™ใ„็”˜ใ•ใ€ไธ€็›ฎใงใ‚ใ‹ใ‚‹่ค‡้›‘ๅ‘ณใŒใ‚ใ‚‹ใ‚ใ‘ใงใฏใชใ„ใ€‚ใ—ใ‹ใ—ใƒใƒฉใƒณใ‚นใŒ่‰ฏใใ€้ฃŸไบ‹ใซๅฏ„ใ‚Šๆทปใ†ใ€‚ๆ—จใฟใŒใ‚ใฃใฆใ€้ฃŸใน็‰ฉใซ่ฒ ใ‘ใชใ„ใ€‚

ใ‚ชใƒฉใƒณใƒ€ใซๆŒใกๅธฐใฃใฆใ€ๅ’Œ้ฃŸใ ใ‘ใงใชใใ€่ˆŒๅนณ็›ฎใฎใƒ ใƒ‹ใ‚จใƒซใ‚„ใƒ‘ใ‚นใ‚ฟใจๅˆใ‚ใ›ใฆใฟใŸใ€‚ใƒใƒผใƒขใƒ‹ใƒผใŒใ‚ใ‚Šใ€้žๅธธใซๅฟƒๅœฐใ‚ˆใ‹ใฃใŸใ€‚ๅ†ท่”ตๅบซใซๅธธๅ‚™ใ—ใฆใŠใใŸใ„ๆ—ฅๆœฌ้…’ใ ใ€ใจๆ€ใฃใŸใ€‚

ใ“ใฎ้…’ใŒๅฑŠใใพใงใฎ้“ใฎใ‚Šใฏ้•ทใ„ใ€‚ๅฐใ•ใช่”ตใงใ€ๆ‰‹้–“ใฎใ‹ใ‹ใ‚‹ๆ–นๆณ•ใงใ€ๆ™‚้–“ใ‚’ใ‹ใ‘ใฆ้€ ใ‚‰ใ‚Œใ‚‹ใ€‚้‘‘่ฉ•ไผšใฎ้‡‘่ณžใ‚’็‹™ใ†ใŸใ‚ใฎ้…’ใงใฏใชใใ€้ฃŸๅ“ใซ็ฝฎใใŸใ‚ใฎ้…’ใ ใ€‚ใใฎ่ƒŒๆ™ฏใ‚’็Ÿฅใฃใฆใ‹ใ‚‰้ฃฒใ‚€ใจใ€ใพใŸใฒใจๅ‘ณ้•ใ†ใ€‚


ไปŠๅ›žใฎ่จชๅ•ใ‚’ๅฟซใๅ—ใ‘ๅ…ฅใ‚Œใฆใใ ใ•ใฃใŸๆฃฎๅ–œ้…’้€ ๅ ดใฎใ‚‹ใฟๅญใ•ใ‚“ใ€่‹ฑๆจนใ•ใ‚“ใ€็†ๆตใ•ใ‚“ใ€ใ“ใฎๆฉŸไผšใ‚’ๅฎŸ็พใ•ใ›ใฆใใ‚ŒใŸใ‚ชใƒฉใƒณใƒ€ใฎใ‚คใƒณใƒใƒผใ‚ฟใƒผใ€Œ้…”ใ„ๅฟƒๅœฐใ€ใฎใƒ‡ใ‚ฃใƒƒใ‚ฏใ•ใ‚“ใซๅฟƒใ‹ใ‚‰ๆ„Ÿ่ฌใ„ใŸใ—ใพใ™ใ€‚

ๆฃฎๅ–œ้…’้€ ๅ ด๏ผˆๅˆๅไผš็คพ๏ผ‰

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ใƒ‹ใƒฅใƒผใ‚นใƒฌใ‚ฟใƒผใ‚’่ณผ่ชญใ™ใ‚‹

ๆ–ฐๅ…ฅ่ทๆƒ…ๅ ฑใ€ใƒฏใƒผใ‚ฏใ‚ทใƒงใƒƒใƒ—ใฎๆ—ฅ็จ‹ใ€ๆณจ็›ฎใฎๆ—ฅๆœฌ้…’ใ‚’ใŠๅฑŠใ‘ใ—ใพใ™ใ€‚

ใƒ—ใƒฉใ‚คใƒใ‚ทใƒผใƒใƒชใ‚ทใƒผใซๅŒๆ„ใฎไธŠใ€ใ”็™ป้Œฒใใ ใ•ใ„ใ€‚

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